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Extra info for 3D World (July 2016)
My thesis film Firelight at AFI was expensive – $50k. That was all raised through our key crew’s friends and family. com FEATURE Start your filmmaking career Kill Command’s Steve Gomez advises get a good workstation; he used an Armari: ”They make the Ferraris of the desktop world” s as it en rit elps, Bng a CG n end a and! yu a Kill Command features 1,000 VFX shots, which stretched the budget. Having a director who could turn his hand to texturing, modelling and animation became a bonus for the team.
Luckily Andrée was able to call on the support of Swedish VFX studio Bläck to bring the short to life. ” The quality of State Zero‘s VFX comes down to the ease of access to professional CG tools and software, but Andrée says the real room to grow is in R&D to find new ways to use the tools. It means though, that it‘s easier now for everyone to jump in and make a short film. com HOW TO GET STARTED s nd a m o C il an, K a rprk in at yu Ue w prty shot Q& A: FAUSTO DE MARTINI “Very often you’ll hear people say “just go and make one,” which I never found very helpful.
Actual feathers are only visible in renders) 3D WORLD July 2016 ANIMATING REGIONS Animators would block in Piper’s body to create the acting beat and pantomime, sculpting the model as needed. Then they’d load in the head feathers and wing feathers. “When you think of Piper’s head feathers, think bed head, not peacock feathers,” Alan Barillaro says. “We varied his feathers in messiness and size. The minute one feather was similar to the one beside it, it looked computer generated. It took a lot of trial and error to get the right length, size and thickness.
3D World (July 2016)